Curve Resident Creatives
Applications now open to join our Curve Resident Creative programme!
What is the Curve Resident Creatives programme?
Curve Resident Creatives (CRC) is a talent development programme for artists and theatre-makers who are based in, or have meaningful connections to, the Midlands. This 18-month residency offers you the opportunity to be closely associated with Curve, gaining support from our team members and wider network, as well as the space to grow your artistic practice in a dynamic and collaborative environment.
As a Resident Creative, you’ll receive tailored support including training, mentoring, networking opportunities and one-to-one guidance. You’ll also be encouraged to connect with the life of the building, contributing to Curve’s creative work, education initiatives, and outreach programmes.
This is more than a development scheme – it’s a chance to build a meaningful relationship with a producing theatre. Over the course of 18 months, you’ll have the time and support to develop a project in partnership with Curve. You’ll get to know us and we’ll get to know you and your work, creating a foundation for future collaboration and growth.
The programme includes a mix of in-person sessions, practical workshops, theatre trips and online meetings, particularly throughout the first year. While the structure will be guided by the needs of the group, a clear timeline will be in place to ensure each individual artist receives consistent and valuable support.
Who is the Curve Resident Creative programme for?
We’re looking for exciting, ambitious theatre-makers who are ready to take the next step in their creative journey, with a focus on artists interested in contemporary drama and/or musical theatre.
This iteration of the Resident Creative Programme is designed to align closely with Curve’s areas of expertise and reflect the communities and audiences we serve. We’re therefore particularly keen to hear from artists whose practice and developmental goals connect with our programming and artistic direction, and individuals/groups from low socio-economic backgrounds and the global majority.
As part of your application, we’ll ask you to:
- Share a clear artistic ambition – particularly in making work suitable for conventional theatrical programming.
- Pitch a project you’d like support with during the residency, which has potential for public performance at Curve. (Please note that while we welcome ambitious project ideas, being selected for the residency does not guarantee your work will be programmed at Curve).
- Propose an engagement workshop or activity that connects with one of Curve’s key communities, supports other artists, or reaches a new group who could benefit from engaging with a cultural institution like Curve.
You should be based in the Midlands or have a strong connection to the region. Priority will be given to artists based in Leicester and those living in Neighbour-Hub areas. Which are: New Parks, Highfields & St Matthews, Saffron, Evington and Braunstone.
Applications will be reviewed by a panel made up of Curve team members and local artists.
How will Curve Resident Creatives be chosen?
Shortlisted candidates will be invited to interviews week commencing 10 November 2025. This first conversation will act as an extension of your application, a chance for you to share more about your work, your ideas and your hopes for the residency.
If needed, we may invite a smaller number of applicants to a second-stage conversation to explore your project and vision in more detail
What’s included in the 18-month programme?
In-Person Sessions
As part of your residency, you’ll take part in four in-person sessions held throughout the first year. These sessions are designed to support your career development, encourage collaboration within the cohort, and shape the direction of your residency experience.
The first session will kick off with a warm welcome and a chance to meet the team at Curve. You’ll also take part in a short press and marketing interview so we can profile you and your work on our website. The rest of the day will be spent getting to know your fellow creatives and working with us to map out a career plan tailored to your goals over the 18-month residency.
The remaining three sessions will be shaped in response to the needs and interests identified during this first gathering. These might include practical workshops, skill-sharing sessions, guest speakers, or other development opportunities – all designed to support your growth as an artist and help you make the most of your time with us.
Theatre Trips
As a Curve Resident Creative, you’ll be encouraged to engage with our full programme. You’ll receive invitations to attend Made at Curve productions, plus additional shows from our wider programme throughout the year.
You’ll be invited to performances by both Curve Young Company and our Community Company. These trips are a brilliant way to stay inspired, connect with different types of work, and deepen your relationship with the theatre and our audiences.
Programming Meetings
You’ll be invited to attend two programming meetings during your first year with us. These are monthly sessions where Curve’s programming team reviews upcoming productions and discusses ideas for future seasons.
You’ll have the opportunity not only to observe how programming decisions are made, but also to contribute your own thoughts. This is a rare chance to gain behind-the-scenes insight into the curatorial process of a producing theatre and to have your voice heard as part of it.
Industry Discussions
Across the first year of your residency, you’ll take part in four online industry discussion sessions. These are opportunities to hear from members of the wider Curve team as well as leading voices from across the theatre industry.
Topics will focus on enriching your understanding of theatre-making, from creative approaches and producing models to business planning, leadership, and artistic development.
Some sessions will be shaped by the group’s interests and needs. Others may take a more reflective or self-led format, for example, following a group workday or attendance at an event.
Monthly 1:1s – In-Person or Online
Each month, you’ll be able to book a one-to-one session with Curve Associate Director Cara Nolan. These sessions are designed to help you check in regularly, reflect on your progress, and get support with your project planning.
You can choose a regular day and time each month or arrange sessions as needed. If you’d benefit from a one-to-one with another member of the Curve team, this can be arranged through Cara.
Space in Kind
All CRC artists will have access to free rehearsal space at Curve during their residency. Up to four weeks of space will be available over the 18 months, subject to availability. Space will need to be booked in advance via Curve’s team.
Mentoring
During the first 12 months of your residency, you’ll work with Curve’s team to set personal goals and professional ambitions that guide your journey.
In the final six months, we’ll help you identify and connect with an industry mentor – someone whose experience and insight aligns with your next steps. This is an opportunity to build a meaningful, long-term relationship with a theatre professional who can help you move forward in your career.
Workshop
As part of your application, we’ll ask you to pitch a workshop idea. This could be aimed at one of Curve’s communities, a group of artists, or a new audience that could benefit from engaging with a cultural organisation like Curve.
You’ll then work closely with the programme lead to refine and shape your idea during one-to-one sessions. Once finalised, you’ll be paid to deliver your workshop as part of your residency.
Project
You’ll also be asked to pitch a project, idea, or production concept as part of your application. This will be a key focus of your time at Curve.
Over the course of the residency, you’ll receive practical and creative support to help bring your project to life, including one-to-one mentoring, access to rehearsal space, feedback sessions, and support with funding applications.
Remuneration
In addition to the above support, each artist will receive a £1,000 payment to support their participation in the programme over the 18-month period.
In addition to this:
- If you’re asked to deliver workshops or sessions, you’ll be paid for your time.
- You’ll be invited to pitch a project to develop during your residency. Curve may offer additional financial support toward this project on a case-by-case basis. These would be contributions to help develop the work, not full commissions or full funding.
Additional Benefits
As a Curve Resident Creative, you’ll also receive a range of practical benefits to support your time with us:
- Access to ticket offers and special events
- Company rate at Curve Café
- Associate discount on room bookings and venue hire
- One free place on a Curve Connect Workshop of your choice.
What is the schedule for Curve Resident Creatives applications?
Application deadline – Monday 27 October 2025, 10am
Online information session with Q&A– 8 October 2025, 7pm – 8pm
- Click here to book your free space on the online Q&A now.
Interviews – Week commencing 10 November 2025
First in-person working session – Friday 12 December 2025
Apply Now
To apply to join our Curve Resident Creatives programme, click here or complete the form below before 10am on Monday 27 October 2025.
Please also ensure you complete our Artist Equality and Diversity monitoring form by clicking here.
If you have any questions or would like further information, please email artistdevelopment@curvetheatre.co.uk
Our current Curve Resident Creatives
Find out more about our current cohort of Curve Resident Creatives below.
These artists and theatre-makers were selected following an open call-out and interview process.
As part of this announcement, we commissioned photographer Ellie Kurttz to virtually capture a series of images of the artists. The collection of images follows Ellie’s series of photographs of performers taken throughout lockdown in 2020, called ‘Portraits in Isolation’.
Burnt Lemon Theatre
With ambition burning in abundance, Burnt Lemon Theatre are a multi-award winning, female led company who give rise to innovative new work. From riotous gig-theatre to electrifying musicals, they tackle sensitive stories with tenderness, punch and precision.
Since the founding of Burnt Lemon in 2018 by Co-Artistic Directors Cara Baldwin and Hannah Benson and Producer Tanya Agarwal, they have gained critical-acclaim. Their debut production The Half Moon Shania won Musical Theatre Review’s Best Musical Award 2018 and are more recently known for their Edinburgh Fringe sell-out show Tokyo Rose, winner of the Les Enfants Terribles ‘Stepladder Award’ as well as New Diorama and Underbelly’s ‘UNTAPPED’ award.
Utilising their skills of musicianship and fever for spoken word, Burnt Lemon Theatre’s productions demand your attention and leave you asking scorching questions.
Follow Burnt Lemon Theatre:
Facebook – @burntlemontheatre
Twitter – @BurntLemonTC
Instagram – @burntlemontheatre
Centre for Indian Classical Dance
Centre for Indian Classical Dance (CICD) is Leicester’s first South Asian dance organisation, found in 1981 by Artistic Director Nilima Devi (MBE) to promote knowledge, understanding and appreciation of Indian culture. Over 40 years it has produced many professional and community productions, nurturing generations of talent from the city’s diverse community. Past alumni include the UK’s finest Kathak dancers such as Aakash Odedra, an international artist with his own NPO company, Meera Patel, Subhash Viman Gorania and Kesha Raithatha.
Beyond the consistent teaching at the centre, CICD has a history of leading outreach work in schools, colleges and community organisations with alumni teaching dance classes at local, regional and national levels. CICD has also produced a string of well-received Indian classical, contemporary and folk dance productions, such as The Ugly Duckling, (1989) An evening of Indian dance (1987 and 1990) Triangle (1992), Kathak Double Bill, (1994) Rainbow (1995), Vyom (2000) and Folk dances of India (2002). Some of the productions were performed in Leicester and many were toured across the UK.
Outside the city the work has toured to the Lowry, South Bank Centre, Loughborough Town Hall, Cambridge University Theatre, The Bhavan Centre (London) and Edinburgh Fringe Festival. As well as creating large-scale community and professional productions CICD has also produced with many solo and smaller group Kathak performances. In addition to its role as an institute of learning, the Centre has an archive of costumes, music, dance books, a rehearsal studio, information on dance artists, an extensive collection of leaflets, posters and newspaper cuttings, and much information on the theory and practice of Kathak and other Indian dance forms. Since 2010, CICD has received several National Heritage Lottery grants to establish a digital film, image and sound archive for the company’s work which can share this learning and story with a wider audience. These include Karman (2012), Abhilekh (2016) and Poshak Puralekh (2019).
Follow Nilima and CICD:
Facebook – @cicd
Twitter – @cicduk
Instagram – @cicduk
YouTube – cicduk
Emmerson & Ward
A new writing company with a focus on producing new LGBTQ+ work, Emmerson & Ward was formed in 2018 by Producer Max Emmerson and Writer Rob Ward. Since 2018, Emmerson & Ward has produced Gypsy Queen by Rob Ward at the Edinburgh Fringe Festival, multiple UK tours and an international tour, Sex/Crime by Alexis Gregory at the Soho Theatre, Riot Act by Alexis Gregory, UK Tour and in 2020 they debuted The MP, Aunty Mandy & Me by Rob Ward in association with Curve. Throughout the pandemic they have been developing new work with support from Arts Council England.
Follow Emmerson & Ward:
Twitter – @emmersonward
Instagram – @emmersonandward
Gerrard Martin Dance
Gerrard Martin was born in Northampton and trained at De Montfort University, gaining a BA Hons in English Literature and Performing Arts. He then went on to Northern School of Contemporary Dance to continue his professional dance studies. Gerrard is a dance artist who performs, choreographs, movement directs, educates and teaches yoga.
Gerrard currently teaches at Trinity Laban (CAT), and has taught and mentored on the Children Youth Dance and the Classes & Courses programme at the Place, he is a guest Associate Lecturer at the University of Northampton, and a dance and yoga teacher at RADA, (Royal Academy of Dramatic Art).
Gerrard Martin Dance (GMD) is a project-based company, which was created in 2011. GMD produces dance theatre which is engaging, passionate, emotive and socially relevant.
The company teaches and facilitates creativity through dance, movement, and yoga. GMD enhances desire and passion for dancing, elevates self-esteem, and nurtures and encourages potential.
Gerrard Martin Dance believes in collaboration and engages artists across different art forms.
Follow Gerrard Martin Dance:
Twitter – @GMD2012
Facebook – Gerrard Martin Dance GMD
Instagram – @gerrardmartindance
YouTube – Gerrard Martin Dance
Subhash Viman Gorania
Morph Productions was set up by Subhash Viman Gorania (SVG) in July 2016 (originally called Morph Dance Company) for the purposes of developing opportunities for SVG as a dancer and choreographer to develop his contemporary style. SVG is Artistic Director of the company and features as performer, choreographer and collaborator in most of the works to date. More recently the artistic vision has been revised to enable current generations of artists to tell and present their stories using dance, physical theatre and digital mediums.
Since 2016 Morph Productions has created a number of works which look at deeper social and political issues such as the impacts of migration; bullying and racial harassment, the tensions underlying political protest. The company makes distinctive work through the use of new lighting design, an amalgamation of contemporary and Indian dance and music and the use of personal stories to shape the narrative. These works include Classic Encounters; Fly From, Metamorphic and Three in collaboration with renowned choreographers such as Gary Clarke, Saju Hari, Rukmini Vijayakumar, Preethi Vasudevan, T J Lowe and Chitraleka Bolar. Collaborators in sound and light include Niraj Chag, Raghu Dixit, Shammi Pithia, Andy Hamer and Hector Murray.
SVG has developed through lockdown new skills in dance and animation on digital screens with recent commissions from Aakesh Odedra Dance Company, Centre for Indian Classical Dance (CICD) Chitraleka Dance Company and MANCH. He was awarded Dance Xchange Choreography Award in 2018.
Follow Subhash and Morph Productions:
Facebook – @MorphProductions
Instagram – @morphproductions
Twitter – @SubhashViman
The Gramophones
The Gramophones are an established all-female company run by Co-Artistic Directors Hannah Stone and Ria Ashcroft. They create contemporary, playful, high quality shows that put women centre stage. They make work that is relevant and responsive but has hope and change at its heart. They tell stories that are rooted in the community, inspired by women’s voices and reach far and wide.
The Gramophones have toured extensively to venues across the UK. In 2011 they were selected by Theatre Writing Partnership to work with writer Clare Duffy to create an interactive show for children, Wild Duck. They were later awarded a grant to travel from Lands End to John O’Groats on as many forms of transport as we could. The show End to End received 4 and 5 star reviews at the Edinburgh Fringe.
In 2016 they were commissioned by Derby Festé to make Tarzanna, an aerial theatre show for families which toured extensively and will tour again in October 2021.
“Thank you for inspiring + empowering my 3-year-old female warrior. Perfect timing as alarmingly she was just starting to say boys were strong not girls, but not anymore! Totally reprogrammed + empowered!”
The Gramophones are currently developing Aidy the Awesome, a children’s aerial show about a Grandmother and Granddaughter superhero duo commissioned by Curve and supported by Arts Council England. In 2020 they were commissioned by Lakeside Arts to make an audio adventure – ANOTHER PLANET, for an adult and child to experience in any green space.
Follow The Gramophones:
Facebook – @TheGramophonesTheatreCompany
Twitter – @TheGramophones_
Instagram – @the_gramophones
Samson Hawkins
Samson Hawkins is a playwright and theatre practitioner from Syresham, Northamptonshire. As a playwright, he has worked with The Nottingham Playhouse, The Arena Theatre Wolverhampton, The Oxford Playhouse, Second Sons and Eton College. Most recently he was awarded In Good Company’s ‘Take Off’ prize, for his play oh for f**k’s sake (I’m in love with you). He has also written a play for radio We are in this Love Story for Rural Media and BBC Arts. He is a current Curve Resident Creative, New Perspectives associate & Graeae Beyond member. He has graduated from the writers groups of The Royal Court, Soho Theatre and The Oxford Playhouse.
Samson has also directed productions at The Orange Tree Theatre, Soho Theatre, the Old Red Lion & The Pleasance, and has assisted Gemma Farley and Steve Marmion. He is the current director in residence at Eton College, the former resident director of The Oxford Playhouse and a former trainee director at The Orange Tree Theatre.
Samson formed ‘The Secret Monday Group’ an Oxford-based free accessible youth theatre, as well as directing many productions with young people. He recently received an Arts Council DYCP grant to develop a working practice of using the principles of relaxed performances as an artistic impetus to create work for rural and studio touring, this working practice of ‘LO-FI Theatre’ will be created by ‘The Tomfool Ensemble’ a company of which Samson is the creative director.
Follow Samson:
Twitter – @samson_hawkins
Tina Hofman
Tina Hofman is a bilingual performance maker of Croatian origin, who works both independently and leads Notnow Collective. Her work is inspired by standing on the precipices, disruptions, migration and fantasy, and uses collaborative practice and movement as primary languages. Having mainly created indoor studio work, Tina is now moving into both digital and outdoor spaces, and aims to create strong international corridors of creativity.
Tina regularly works with Tirena Theatre, Zagreb as an associate artist: co-devising and directing new, urgent work for young people – the most recent work U Mojoj Glavi is opening conversation about anxiety and depression.
In 2020 she was selected for the Creative Digital Leadership programme by Arts Connect and has been awarded the THRIVE bursary for developing her participatory practice through investigating protest as a creative intervention.
She is a core member of Migrants in Theatre movement, addressing mis/under representation of first generation migrants in UK, which is currently working on a series of Town Hall meetings across the UK. Tina is passionate about the decentralisation of arts in both the UK and Croatia, and developing corridors for creative exchange between her two home destinations.
Follow Tina:
Twitter – @hofmanica
Hal Mayer
Hal Mayer is an experimental multidisciplinary artist, his work ranging from Film, Theatre, Immersive, Mixed Media and Visual arts. Within his rooted movement practice he channels Butoh methodology through Hip-Hop dance disciplines. Using styles such as Tutting, Popping and Krump to tell provoking and harrowing narratives. Hal’s body of work connects the gap between horror and societal qualms. The work dealing with taboo subject matter as a means to open cathartic outlets for an audience, allowing them to engage with complex morality in a philosophical capacity.
His seminal performance ‘Mannequin’, a duet between live performer and a mannequin; gained some notoriety for the troubling visual/theme, leading to a permanent ban from a Royal Theatre. A key moment in the young artists journey, one that developed into wanting to unpick the hypocrisy of the arts and lending direction to his artistic vision.
Subsequently, Hal became the youngest participant on Breakin’ Conventions developmental programme ‘Back to the lab’. From this point Hal has gone on to develop work for: Artist’s 4 Artists, Breakin’ Convention, Studio 3 Arts, The Nottingham Contemporary, The University of Nottingham and Sadler’s Wells Theatre.
Follow Hal:
Instagram – @reyamlah
YouTube – Reyamlah
Stacey McCarthy
Stacey McCarthy is a choreographer, movement director and practitioner. She trained at De Montfort University and graduated with a BA Hons in Dance in 2006.
Stacey’s practice reflects her journey in the performing arts via art-forms inspired by black culture. She then progressed into studying contemporary dance, various social dance styles and commercial, which have all fused to inform her diverse practice and current work in movement direction and choreography. Stacey has performed and choreographed professionally in the music industry, theatre, tv, events, circus and festivals.
Recent theatre credits include: Chicken Licken (Derby Theatre/Polka Theatre); The Jolly Christmas Postman (Royal and Derngate); Three Billy Goats Gruff (Derby Theatre/Polka Theatre); Scenes from Rent (Curve Theatre); My Beautiful Laundrette (Curve Theatre/National Theatre UK tour); The Owl Who Came for Christmas (Curve Theatre); Funnybones (The Lowry); NYMT in Concert (National Youth Music Theatre/Rose Theatre); Wind in the Willows (Derby Theatre); The Palace of Varieties (Derby Theatre)
Social Media: Instagram – @_staceymccarthy
Phizzical
Phizzical tells tomorrow’s stories today by creating high quality, entertaining and unique South Asian arts and cultural experiences on the small to mid and large-scale touring circuits. Phizzical work with local communities, gathering their stories and, with its new perspectives, the company’s work influences the wider UK theatre sector. With a strong history of bringing both traditional and South Asian audiences into theatre spaces, Phizzical’s adventurous, physical and colourful work challenges the status quo and empowers new generations of theatre goers.
Founded in 2003 by Artistic Director and CEO Samir Bhamra, Phizzical has created and delivered 22 projects across all art forms. As part of its talent development and diverse arts sector support, Phizzical has produced 27 projects on behalf of emerging artists (Subhash Viman Gorania, Kesha Raithatha, Shahid Iqbal Khan, etc.) and small arts companies. Phizzical produces the Midlands edition of the UK Asian Film Festival.
Follow Samir and Phizzical:
Facebook: isamirbhamra
Facebook – @phizzical
Instagram – @phizzical
Twitter – @phizzical
Youtube – Phizzical
Kesha Raithatha
Kesha is a dancer and choreographer who embodies Kathak and Contemporary movement. She creates work that is rich in detail and experimentally reconsiders contemporary South Asian dance. Her curiosity and exposure to a wide range of movement training informs and invigorates her dance-making vocabulary. She is passionate about exploring her dance a way which allows the viewer to have a surreal and transcendental experience, but also as a means to be a voice for the collective.
Follow Kesha:
Sonia Sabri
Sonia Sabri is a multi award-winning dance artist and choreographer. She is one of the world’s leading Kathak dancers and amongst the brightest and most inspirational of British born dancer-choreographers working in the twenty-first century. She has created a fresh, unique style of Kathak by reinventing it from within, by pushing boundaries and generating work that is original in concept and exciting and relevant to today’s audiences.
Follow Sonia:
Facebook – Soniasabricompany
Twitter – @SoniaSabriCo
Instagram – @soniasabrico
STATE OF FLUX
STATE OF FLUX is movement company based in Leicester and London led by artistic director Laura Weston.
Since 2016 the company has delivered movement-based workshops across the UK, Europe and more recently online. They became Breakthrough Artists at Curve Theatre in 2017 where they developed ‘untravel’ and ‘(don’t) touch me’ which was performed as part of New Work Festival in 2019. STATE OF FLUX also produce live events which bring together exciting artists from across music, dance, theatre and spoken-word for one off live gigs (FLUX #1 Silver Building, London and FLUX#LC Curve Theatre, Leicester). Currently they are developing a series of dance films based in Leicester.
Artistic director Laura Weston was born and raised in Leicester and trained in contemporary dance at Trinity Laban (2002-2006). She worked professionally as a dancer touring nationally and internationally in works by Sarah Michelson, Athina Vahla, Thomas Hauert, Gary Clarke, Crystal Pite and Rashpal Singh Bansal. Laura now works as a freelance movement director and choreographer for stage and screen. She also teaches and directs at dance and theatre conservatoires including London Studio Centre, Guildford School of Acting (GSA), Mountview and Rose Bruford College.
STATE OF FLUX is also made up of Leicester-born associate artist and producer Brad Foster who has been part of the company since 2017.
Follow STATE OF FLUX:
Jude Taylor
Jude Taylor is a composer, lyricist and writer from Leicestershire. His first full length musical Steep Themselves in Night premiered at The Other Palace in London during October 2018. His most recent work, Make Me Infamous, a musical theatre audio production (produced by MP Theatricals) was released online in November 2020.
Jude is interested in creating quirky new musical comedies and fairytales which explore and challenge the usual representation of LGBTQ+ people in musical theatre.
Other credits as a composer/writer include: QUEERME (MP Theatricals, 2021); SIGNAL x MT Pride (2020, MP Theatricals/Queerly Productions/Adam Lenson); on hope: a digital song cycle (2020, MP Theatricals/Victoria Saxton); All That Scratch podcast (2019; All That Productions/The Other Palace); (Hey) Jude Taylor live at The Pheasantry, London (2019); Lionel Bart Masterclass (Mercury Musical Developments, 2018)
His first EP, (Hey) Jude Taylor, was released in 2019 and is available to stream online.
In 2012, Jude completed the Curve Young Arts Entrepreneurs scheme before going on to lead a number of small applied theatre and community arts projects, including work with partners such as Curve, West Yorkshire Playhouse, and YoungMinds. He has extensive experience in teaching, leading workshops and facilitating groups, including as a singing teacher.
Following 7 years of working in the third sector with mental health services alongside his work in the arts, Jude also has a particular passion for promoting the benefits of singing for wellbeing, leading him to develop several singing courses/groups for adults with mental health difficulties.
In 2019 he gave a TEDX talk on his experiences of singing for wellbeing at the Royal Central School of Speech and Drama in London.
Follow Jude:
Twitter – @heyjudetaylor
Instagram – @heyjudetaylor
Wayward Thread
Si Rawlinson is a British East-Asian hip hop dancer and choreographer, Curve Resident Creative and Artistic Director of the hip hop dance company Wayward Thread, which started in 2016. He is also a lecturer at De Montfort University.
Wayward Thread is a hip hop dance company. Rooted in break, the company uses hip hop styles, contemporary dance, physical theatre, spoken word and film to explore compassion, identity, and our dissonant relationship with a rapidly changing world.
Follow Si and Wayward Thread:
Instagram: @WaywardThread
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