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  • 3 Dec 2010 - 15 Jan 2011
    THE KING AND I
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    14 - 18 Sep 2010
    VERTICAL ROAD
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    2 Oct - 6 Nov 2010
    HOT STUFF
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    10 Nov - 4 Dec 2010
    A FESTIVAL OF FRIEL - MOLLY SWEENEY
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    4 Nov - 4 Dec 2010
    A FESTIVAL OF FRIEL - TRANSLATIONS
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    20 - 25 Sep 2010
    MATTHEW BOURNE'S SWAN LAKE
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    28 Sep - 2 Oct 2010
    DOLLY
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    5 - 9 Oct 2010
    THE RED SHOES
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    19 - 23 Oct 2010
    CHARLIE & LOLA'S BEST BESTEST PLAY
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    9 - 13 Nov 2010
    PUNK ROCK
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    11 - 16 Oct 2010
    TWELFTH NIGHT
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    7 - 11 Dec 2010
    WE'RE GOING ON A BEAR HUNT
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    21 Dec - 9 Jan 2010
    THE GRUFFALO'S CHILD
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    16 - 17 Nov 2010
    HMS PINAFORE
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    17 Oct 2010
    STEWART LEE
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    18 Nov 2010
    SING-A-LONG-A ROCKY HORROR PICTURE SHOW
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    2 Oct 2010
    GIRAFFES CAN'T DANCE
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    9 Oct 2010
    THE STEADFAST TIN SOLDIER
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    23 Oct 2010
    THE NIGHT PIRATES
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    30 Oct 2010
    THE LONELY GIANT
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    6 Nov 2010
    GOLDILOCKS
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    26 Oct 2010
    FAKEBOOK
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    27 Oct 2010
    PALM WINE AND STOUT
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    28 Oct 2010
    TALAWA'S WRITERS' GROUP AND UNZIPPED 2010
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    29 Oct 2010
    EXTRACTS I
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    29 Oct 2010
    EXTRACTS II
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    30 Oct 2010
    EXTRACTS III
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    30 Oct 2010
    EXTRACTS IV
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    16 Dec 2010
    MUSIC OF MY MIND
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    16 - 18 Sep 2010
    LALITA'S BIG FAT ASIAN WEDDING
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    14 Nov 2010
    NCT STAR AWARDS
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    1 - 12 Mar 2011
    ROMEO & JULIET
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    11 Feb 2011
    SARAH MILLICAN - CHATTERBOX
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SEPTEMBER 2010
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LTT Show



CREATIVE TEAM
  Jamie Lloyd
  Director
 
  Soutra Gilmour
  Set and Costume Designer
 
  Jon Clark
  Lighting Desginer
 
  Ben and Max Ringham
  Composers and Sound Designers
 
  Ann Yee
  Movement Director
 
  Sam Yates
  Associate Director
 

CAST
  Con O'Neill
  King Herod
 
  Zawe Ashton
  Salome
 
  Richard Cant
  Page of Herodias
 
  Vyelle Croom
  Naaman
 
  Sam Donovan
  Young Syrian & Ensemble
 
  Jaye Griffiths
  Herodias
 
  Nitzan Sharron
  The Cappadocian
 
  Tom Byam Shaw
  The Nazarene
 
  Seun Shote
  Iokanaan
 
  Tim Steed
  The Jew
 
Still Telling This Story

So here I am, about to embark on the 10th Anniversary Tour of Class of '76. Ten years later, still telling this story.

In those ten years the idea of the show has almost become an anachronism. The show started as a 15 minute sketch, in which the things we said about the children in the photograph, including some of their names, were completely made up. And although we had the idea for a second version in 1999, it was in January 2000 that I set about trying to find the other 34 children in my infant school photo, before performing 'Version 2' of the show in Chuckery Infant School Hall in May of that year. That's the anniversary that this, final, tour of the show marks.

In January 2000 I had an email address, and connection to the internet at work, but, despite our later publicity tag of 'fresh and funny live art for the friendsreunited generation', there was no Friends Reunited yet, let alone Facebook, Myspace, Bebo or Twitter. I had a mobile phone, but had only had it since I was 28 - so no immediate connection to my old schoolmates. The process of tracking people down, therefore, involved phone calls, mainly to land lines, and a lot of 'going back home' to Walsall. Of course this fundamentally affected the nature of the piece. Had I been able to do all the detective work remotely, I think the work would have felt quite different. It would probably have been more about the lives that the people are living now, as I would be able to visit, or at least observe, a lot of those lives online.

Which is why the idea of the show feels like an anachronism - kids at school now, and anyone who left school within the last - what, 10 years? - wouldn't need to track down most of their classmates; they'll already have contact with them.

'Version 3' of Class of '76 - the version that talks about the process of making Version 2 - has been in repertoire since 2001, although it was temporarily retired for a couple of years in 2006. Reviving the work in 2008, I suddenly felt this historical aspect of the show much more keenly. And this feeling has informed the decision (or is 'realisation' more accurate?), that the performances this year will be the last ones of 'Version 3'.

At post-show discussions over the last 10 years one of the most frequently asked questions has been: Why that photograph? Why that year, why that collection of children? The answer is pretty simple: it is my last school group photo. I've got two infant school class photos - one from 1975, our second year, and this one from May 1976. The following autumn we moved up to junior school, where we always had individual (or sibling-group) school photographs taken.

So although most of the children in the photograph moved up to the same junior school, this later photo is the one that marks the end of an era - the end of infant school. Our last class photograph together. That was the one I had to use.

Alexander Kelly
February 2010
 
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