Curve Logo
Curve Logo Bottom
  • 14 - 18 Sep 2010
    VERTICAL ROAD
    INFO
    BOOK
    20 - 25 Sep 2010
    MATTHEW BOURNE'S SWAN LAKE
    INFO
    BOOK
    14 Nov 2010
    NCT STAR AWARDS
    INFO
    BOOK
SEPTEMBER 2010
12345
6789101112
13141516171819
20212223242526
27282930
 
LTT Show
Book Tickets Video Highlights Experience Curve Video Highlights Public Dress Rehearsal Season Saver
VERTICAL ROAD
14 - 18 SEP 2010

Following the sell-out success of IN-I, Akram Khan returns to Curve to co-produce his latest work, Vertical Road.  Rehearsed in residency, Vertical Road will receive its World Premiere at Curve in September. 

Khan has assembled a cast of very special performers from across Asia, Europe and the Middle East. With a specially commissioned score by long-term collaborator composer, Nitin Sawhney, Vertical Road draws inspiration from universal myths of angels that symbolise ‘ascension’. The road between the earthly and the spiritual - The Vertical Road.

Video of week 2 of rehearsals for Vertical Road has been uploaded onto our YouTube channel - check it out here.

Season Saver – Save up to 25% on Curve Productions
Buy tickets for our two sensational musicals, Hot Stuff and The King and I, two spell-binding dramas, Brian Friel’s Translations and Molly Sweeney and our World Premiere of contemporary dance piece Vertical Road and save up to £30! Just click on the Season Saver icon on the right hand side for further details.

Win a pair of tickets* for the World Premiere peformance with Soar magazine.

SPONSORED BY COLAS
CO-PRODUCED WITH ADACH (Abu Dhabi Authority for Culture and Heritage), Sadler’s Wells London, Curve Theatre Leicester, Theatre de la Ville Paris, National Arts Centre Ottawa, Mercat de les Flors Barcelona
SUPPORTED BY Dance East UK
www.akramkhancompany.net


*Soar magazine competition, win a pair of tickets for the World Premiere performance on Thursday 16 September. Terms and conditions apply.

 

TICKETS
Performance Type Price Area A Price Area B Price Area C
Off - peak Price £24.50 £20.50 £16.50
Peak Price £26.50 £22.50 £18.50
Off - Peak Previews £12.25 £10.25 £8.25

 

DISCOUNTS
  Season Saver Click here
  Under 16s £10 all performances (excluding previews)
  16 - 26 £15 all performances (excluding previews)
  Over 60s and registered unemployed £2.50 off all performances (excluding previews)
  Under 18s' school groups of 10+ £10 plus 1 free supervisory ticket for every 10 tickets on selected performances
  Groups of 10+ For further information contact Ticket Office on 0116 242 3595
CREATIVE TEAM
  Akram Khan
  Choreographer
 
  Farooq Chaudhry
  Producer
 
  Nitin Sawheny
  Music
 
  Jesper Kongshaug
  Lighting
 
  Jess Gormley
  Research
 
  Fabiana Piccioli
  Technical Director
 
  An extraordinarily talented choreographer, on who can conjure near-miracles from the human form
The Independent  

Still Telling This Story

So here I am, about to embark on the 10th Anniversary Tour of Class of '76. Ten years later, still telling this story.

In those ten years the idea of the show has almost become an anachronism. The show started as a 15 minute sketch, in which the things we said about the children in the photograph, including some of their names, were completely made up. And although we had the idea for a second version in 1999, it was in January 2000 that I set about trying to find the other 34 children in my infant school photo, before performing 'Version 2' of the show in Chuckery Infant School Hall in May of that year. That's the anniversary that this, final, tour of the show marks.

In January 2000 I had an email address, and connection to the internet at work, but, despite our later publicity tag of 'fresh and funny live art for the friendsreunited generation', there was no Friends Reunited yet, let alone Facebook, Myspace, Bebo or Twitter. I had a mobile phone, but had only had it since I was 28 - so no immediate connection to my old schoolmates. The process of tracking people down, therefore, involved phone calls, mainly to land lines, and a lot of 'going back home' to Walsall. Of course this fundamentally affected the nature of the piece. Had I been able to do all the detective work remotely, I think the work would have felt quite different. It would probably have been more about the lives that the people are living now, as I would be able to visit, or at least observe, a lot of those lives online.

Which is why the idea of the show feels like an anachronism - kids at school now, and anyone who left school within the last - what, 10 years? - wouldn't need to track down most of their classmates; they'll already have contact with them.

'Version 3' of Class of '76 - the version that talks about the process of making Version 2 - has been in repertoire since 2001, although it was temporarily retired for a couple of years in 2006. Reviving the work in 2008, I suddenly felt this historical aspect of the show much more keenly. And this feeling has informed the decision (or is 'realisation' more accurate?), that the performances this year will be the last ones of 'Version 3'.

At post-show discussions over the last 10 years one of the most frequently asked questions has been: Why that photograph? Why that year, why that collection of children? The answer is pretty simple: it is my last school group photo. I've got two infant school class photos - one from 1975, our second year, and this one from May 1976. The following autumn we moved up to junior school, where we always had individual (or sibling-group) school photographs taken.

So although most of the children in the photograph moved up to the same junior school, this later photo is the one that marks the end of an era - the end of infant school. Our last class photograph together. That was the one I had to use.

Alexander Kelly
February 2010
 
Brochure Mailing List Twitter
   
Privacy Policy   |   Terms of Use   |   Credits
 
L    © Copyright 2010, All Rights Reserved